Tag: podcast-interviews

  • what’s occurring? June to October

    The Bruise Palette beside the bed in my friend Kushla’s beautiful house. I nicked this off her Insta.

    Hello!

    I am resisting the temptation to apologise/explain for the gap between updates here because I know literally no one minds.

    Instead, let’s crack in: here’s some recent book news and life stuff…

    (Technically I wrote two other books in that 15 years but I’m not gonna argue with Hamesh when he uses the word ‘radiant’ to describe my book.)

    Somehow The Bruise Palette, has been out for six months already!

    Here are the adventures it has had so far…

    Hamesh Wyatt reviewed it for the Otago Daily Times (which I think might be the last newspaper which still reviews poetry?)

    There was a review on Radio New Zealand’s Nine to Noon by Lucy Black.

    Lucy also reviewed it for her excellent bookstagram Two Books Black.

    In August, I read poems with dear friends Maria McMillan, Helen Heath and Airini Beautrais in the dear St Peter’s Village Hall in Paekakariki.

    Among the audience were some terrific poets including Dinah Hawken, Tusiata Avia, Hinemoana Baker, Rob Hack, Apirana Taylor and several other greats. I tried not to visibly quake in my plimsolls reading to such formidable talent. I coped by staring into the middle distance lest my eyes settle on another face of NZ poetry royalty. Paekakariki seems to be a hot-bed of artistic talent.

    An article about the Paekakriki reading by Dani Deluka.

    The poster I made for the reading with no help from AI.

    In September, there was an overnighter up to New Plymouth to read with Airini again and Mikaela Nyman . The reading was great fun and we attracted a writerly audience who seemed very interested in ideas around writing craft. It was an intellectually satisfying conversation…& David Hill came along!

    (An aside: For the Paekakariki reading, Airini had sprained her foot and was on crutches. For the New Plymouth reading, she was off her crutches but I had pulled a calf muscle and was limping. Poetry is a dangerous business, it would seem.)

    Another no-AI poster, this time made by Mikaela and Airini:

    If you enjoy literary podcasts, the lovely pip adam recently interviewed me on her podcast ‘better off read’.

    We talked about grief, the place poems come from, our shared love for the reality TV show ‘Alone’ (Pip calls it ‘competency porn’) and how nature is more punk than metal:

    & here’s an event still to come (and more posters made without AI) both posters for an upcoming lunchtime reading at Unity Books Wellington. Airini made the first. I made the second.

    Do come along if you are near by and free.

    Other things lately…

    A lovely gift from my parents:

    Another birthday rolled around and F and I went to the same place we went last year. Just after my birthday last year a whole lot of hard, weird shit happened so I don’t really feel like I got to experience being 53. I was in a kind of free-fall. But time doesn’t care and now I’m 54, like Andy Warhol’s studio.

    Here’s the hut from a nearby hill:

    I got book vouchers for my birthday and (above) is what I chose to spend them on. Old-me would have saved the vouchers to use for Christmas shopping for other people. New-me indulged.

    So far I have read the Hustvedt (heartbreaking, clever, she writes about what the ‘us’ in a couple is rather than she and her deceased husband as individuals, and the loss of that ‘us’) and I’ve started the Robert Lord diaries. I think I was hoping to find he might be NZ’s answer to Derek Jarman (in terms of diary-writing) and he isn’t so far…but I’m only part way in. There’s still time.

    I spent a good chunk of August’s writing time applying for three big things. Applying for big literary things takes so much time. It’s like applying for a job with extra levels of humiliation.

    I’ve already heard back that I didn’t get two of them. One to go.

    I think I made the mistake of falling for the illusion of continued success. I got a couple of things last year and so I thought, way hey! here we go!

    But no, a couple of successes doesn’t guarantee you ‘go’ anywhere. Still, each application means my CVs, etc, are all up to date & that’s a mercy.

    Speaking of literary things from last year, I published the diary from one of the residencies. It’s a bit of gloomy read because I got horribly sick that week.

    But if you are interested in creative process, the tensions of care work versus creative work, the non-linearity of time, zen philosophy, the making of something from nothing…there might be something of interest?

    (Or maybe you just need a good dose of schadenfreude? It might scratch that itch, too.)

    I think that’s all my news?

    Of course there’s been a lot happening in the garden (seed starting! getting the backyard shipshape for summer lolling around) and the kitchen, too (making ferments from the last of the winter crops, enjoying warm potato salads made with little new potatoes – except swap the green beans for new season asparagus.)

    I’ve been starting all kinds of tomatoes: yellow pear, money maker, sweet 100s, and the delightfully named ‘Olga’s Round Golden Chicken Egg’ from here.

    Yes! It’s time for tomato dreaming.

    To sign-off, three good tomato-related things I’ve enjoyed lately:

    Lucy Dacus wrote a tomato song! – truly uplifting tune and video:

    “Life is just a series of close calls.

    One day, one will come to end them all.

    But before then, I’ve got some ideas.”

    From Orion Magazine ‘The Tomato Cure’, a beautiful essay about the ‘quiet medicine of small jobs’.

    & I love a tea towel printed with a recipe – this one by Ruby Seeto is just $10 from Wallace Cotton and $6 from the sale of each tea towel is donated directly to the Starship Foundation, to benefit the young patients and families of Starship Children’s Hospital.

    It would be great for lining a picnic basket, I reckon:

    Here’s to longer days and the smell of sun-warmed tomatoes,

    x Helen

  • all good things

    (Last full moon we had a burn in the backyard. I don’t know why I try to take photographs of the moon but I do.)

    How have you been?

    Anyone feel like every day there is some new strange and terrible news to process? Whether it be personal or worldly? Tell me it isn’t just me, PLEASE!

    I want this post to be all good things.

    Sometimes that’s what I use as an email sign-off or a farewell in a card: ‘all good things, Helen’. Because I want all and only good things for people.

    Here’s the first good thing. Due to amazing support for the pre-order and the book launch, The Bruise Palette had a week at number FOUR on the NZ Bestseller list! NUMBER FOUR!

    Poetry rarely gets near the top twenty so this was a total buzz for me. I kept tapping the link and peeking at it sitting there at number four because I couldn’t believe it! Thank you x a million to everyone who bought a book.

    Screenshot
    Screenshot

    (Screenshots I took of TBP in the top ten. Happy days for weird, provincial poetry.)

    Another very cool things that happened recently is that I was interviewed for the Reskillience podcast. I’m a huge fan of Catie Payne’s work: her writing, her interviews, her world view, so this was an honour and a really good time.

    We talked about foraging and writing and plant communication and anarchism and what it means to live hyper-locally and much more besides.

    I am your neighbourhood weird pumpkin lady.

    Listen via iTunes

    Listen via Spotify

    Here’s another good thing. I’m going to be reading poems with fellow poets and friends Airini Beautrais, Helen Heath and Maria McMillan in Paekākāriki later this winter. We want it to be relaxed and cosy so we’re emphasising tea and biscuits as an important feature of this Sunday afternoon event:

    (This poster was not made by AI. It was made by me on free Canva with no AI tools and a photograph I took and my own questionable font-choice.)

    Do come along if you live around those parts.

    I’ll have some copies of The Bruise Palette for sale, too.

    (But if you’d like to get one before then they are available online via Bruce McKenzie Books.)

    Now to some non-writing-related good things:

    Recently, fellow forager Peter Langlands and artist Erin Forsyth were invited by NZ Post to create a series of stamps around the theme of foraging!

    They are very pretty and you can buy all manner of NZ Post foraging stamp products (including just stamps for mailing things!)

    I love this butterfly poster that is part of the product line.

    Also in the realm of art and beauty, I’ve been sniffing around the stunning art of Emma Evangeline lately because it is nearly my oldest’s birthday and I want to get him something from her work. It is proving hard to choose, though, everything is so beautiful.

    I have a real thing for light reflecting on water and diffuse light through tree canopies so I particularly love her painting of Driving Creek:

    Witchy herbs

    I’m a self-taught (folk) herbalist and this year in my garden I am trying to find some of the more obscure and witchy/herbalist herbs to grow and learn that you don’t usually see at garden centres.

    Two great places to find these more obscure herbs are:

    for live plants, Kahikatea Farm.

    Late autumn I treated myself to a box of live plants from here and they arrive beautifully boxed up and in great coniditon. I got horehound, two kinds of mugwort, vervain, bergamot, skullcap and vervain. How’s them for some wonderfully witchy plant names? I’m looking forward to getting to know these herb friends in live plant form rather than just the dried versions I get from the health shop.

    For medicinal herb seeds, I recently bought an array from Seeds of Paheko. Again, lovely service and eco-packaged product. I can definitely recommend them.

    A poem I enjoyed.

    In The Bruise Palette there’s a poem called ‘Palmerston North Death Cleaning’ . Then in that way of morphic resonance, I stumbled on this poem Swedish Death Cleaning by Laura Grace Weldon published in OneArt journal.

    Here’s the opening stanza… but do go read the whole thing.

    “My black hole of a bedroom closet
    still holds long-impossible size eights,
    tattered protest posters, slumped purses,
    homemade Halloween costumes,
    and hopeful eyes facing the future
    from a box of black and white portraits.
    Each object a doorway into realms
    Where light no longer escapes.”

    (from Swedish Death Cleaning by Laura Grace Weldon

    I like the very messy human-ness in the poem and the midlife wrangling with all the selves we’ve been and then let go of along the way.

    A recipe for if you think you don’t like fennel

    I get a fortnightly CSA (Community Supported Agriculture) box from Live2Give Organics.

    The joy of getting seasonal produce according to what is ready on farm rather than me choosing what I want is that each time we get the box it’s like unwrapping a present: I never know what will be in there! The challenge, however, is that sometimes we get stuff that is harder for me to convince my family to eat (I’m looking at you swedes, kohlrabi, brussel sprouts, radicchio).

    This week we got a gigantic fennel bulb. I love fennel but the family aren’t so keen. I googled something like ‘fennel recipe for people who don’t like fennel’ and variations on this dish are what came up.

    Slow-roasting the fennel with lots of garlic, olive oil and parmesan totally changes the flavour profile of the fennel bulb. The aniseed/liquorice astringence fades and it is absolutely mellow, sweet and delicious cooked this way.

    Here’s a version of the recipe from local deli/grocery Farro. I didn’t use cream when I made it but I imagine the cream would make it even more lucious. But honestly, just garlic, olive oil and parmesan makes it a decadent tasting dish.

    (Photo from the Farro website.) YUM!

    Now, tell me your favourite recipes to make haters fall in love with brussel sprouts …because that’s my next challenge.

    A sweet song for early winter

    I’ve been obsessively playing this sweet song by Truthpaste (great name, no?) over and over in recent weeks.

    Something about the undulating quality of the vocals has really gotten under my skin.

    Also, the part in the song where the vocalist sings ‘How are you doing? Are you holding out?’ makes me feel really emotional. I think we are all asking each other that a lot lately, aren’t we?

    And the video is also very sweet:

    I’ve added the song to my very slow-growing ‘Slow Small Media’ playlist on Youtube. I occasionally add a mellow, thoughtful, emotional song when I’ve ‘auditioned’ it at great length and it has passed my very exacting standards for what constitutes a great song.

    Well, now I’ve spent far too long on this post when I should be doing much less fun and more grown-up things like calling people regarding appointments, sorting my taxes for the July returns, door-knocking arts organisations who are under-funded, under-staffed, over-worked and under pressure to try to promote my ridiculous little purple book… knowing that likely they will say no but i still have to try because ….I made a thing and there’s very little in the world that supports my making of things so therefore it’s very important that I attempt to champion my weird little thing in this fast, distracted, strange, anti-art, anti-deep-thought world we find ourselves in.

    Time to get off here and go and have some lunch, some water and a little stretch in the sunshine, I think. I hope you found this post to be ‘all good things’ as I intended. xx