a retreat into writing and resting


Recently I took occupation of the Beatson’s Foxton house, which is generously rented out to writers at an inexpensive rate so that even people on a poet’s wage (cough cough) can afford a retreat, for a weekend with three writer friends.


It’s a beautiful house overlooking the Manawatu Estuary, it has all the things you need for a retreat – a nice view, hundreds of books, a fire…(I don’t have a fire at my place. I do miss having a fire!)


While I’ve been working away at my writing when I can, the year began with the daunting task of helping to run a Yoga Studio for ten weeks while our head teacher was away in India, plus my freelance work has been good and busy….so this retreat weekend fell just after the studio-sit finished (whew! we kept the place afloat with no major mishaps) so was a lovely opportunity to celebrate that work and to sink into my writing.


I took a bundle of new poems to share with my retreat-mates, and they most generously workshopped ALL OF THEM which was very helpful indeed.  I also printed out (for the first time!) my manuscript which I began during last year’s Massey Visiting Artist residency. I have been working away at that, without looking too much over what has come before – just focussing on generating new work. It printed out to be a solid bundle of pages, but I have to admit…I didn’t end up cracking open the blue folder I took it along in. I thought I was ready and that the weekend would be a good space to read over what I have so far, but nope. It’s still sitting on my desk, un-peeked at. I take that to mean I’m not ready and so I will just keep writing for now, but I have given myself the deadline of the end of June and THEN I have to print everything out, read it in one go and start the bit of the writing process where the real work begins….editing. All I know at the moment, is that I have written a big pile of material. Whether any of it is any good – well, I’ll let you know in July.



Even though I didn’t do that, it was great to have some new poems workshopped and I did some new writing and lots of yummy reading – Louise Erdrich poetry, Gary Snyder prose and lots of incidental reading of poetry books on the shelves in the Foxton house.

((We cracked ourselves up reading aloud and miming a poem from the 1980s by a NZ poet in which he described doing a ‘naked plie’ and admiring in the bathroom mirror the plum line of his penis. I know, super-mature, right? (Maybe you had to be there…))


We also walked along the estuary, ate several very good meals, took one jaunt into Foxton to cruise the junk-shops and generally had a great, restful time. I do love going away with evolved, fully-realised women – there is an organic, seamless way in meals occurring, fires being lit, cups of tea being made, outings suggested…somehow everyone contributed enough and yet everyone was looked after by the others enough. Very lovely. I also like going away with people who aren’t afraid of silence.


This year has been PACKED with good, rich stuff. Feeling very blessed, right now.









recent reading, ongoing thinking


I haven’t been writing about my writing much lately because a) I’m not sure it’s that interesting to anyone but me and b) I try to save all my energy for the actual writing project but anyhoo…a small update…

This year for me feels like a year of withdrawal, processing and deep thought.  I decided to focus inward on the current writing project. It’s a bit scary because I am writing prose rather than poetry, so I’m kind of in unchartered territory for me. (I am also feeling sad that poetry has left me for while, but I have been doing this for long enough to know that it will return. Lately when I try to write a poem, I feel like I keep writing versions of poems I’ve written before. When you are boring yourself, chances are no one else is going to be that excited either!) I have no idea of the ‘market’ for this meandering, tangential stuff I’m writing but I try to flush out those kind of concerns and focus on getting on with it! Over the winter, I had the Massey Residency and that was a wonderfully immersive and productive few months. Things have been a bit more hotch-potch since then as freelance work and Life have to be negotiated, but I plod on!

I noticed a theme in my reading recently – lots of books with ‘Wild’ in the title! I am reading and writing about nature/bioregionalism/ecology/contemporary spirituality….so I guess ‘wildness’ is a thread through all of these things.

The Wild Places, by Robert McFarlane

Wild, by Jay Griffiths (This book remains my favourite book IN THE WORLD EVER.) 

Wild, by Cheryl Strayed

Wild Mind, by Natalie Goldberg

Coincidence? Or maybe it’s just that I would read anything with WILD in the title? Ha ha.

Robert McFarlane’s book led me to…

Waterlog, by Roger Deakin – a remarkable account of Deakin’s desire to swim in as many wild waterways as he could across the UK. (Roger Deakin was an incredible person who seemed to live almost in an alternate universe where he was part-tree himself. What an amazing man.)

In fact, this is the trajectory so much of contemporary nature writing takes – a person leaves the urban environment and takes off to the waterways or the wilds, the forests, the mountains and then experiences the edges of their pathetic humanity and learns a pile of stuff about themselves. It’s compelling stuff! Escape, edge-dwelling, deep nature….


As inspiring and firing as these books are, though, I cannot write this kind of book. I am a mother of two children, tethered by family to a small suburban piece of land in a medium-sized, unsensational city. So my challenge is how to extrapolate a compelling narrative from my own situation.

To my rescue (to some extent) comes bioregionalism, Urban Resilience movements and Transition Towns giving me a steadfast political framework to staying put in the urban environment and making the best of it, or making it better more to the point.

I am on the hunt for any books which address the URBAN ‘wilds’, or ‘domestic’ nature narratives, so please do suggest some if you know of any.

One I read and thoroughly loved recently was ‘Feeding Orchids to The Slugs’, a book about a woman becoming a Zen Retreat cook.

I’d love to know if there are more New Zealand books in this vein. I read THIS ONE by Harvey McQueen recently, it was charming, but a little too restrained for my taste.

How do you write a compelling nature-based narrative when you live in suburbia and can’t stray very far? This question is at the heart of my project.

So far, I’m finding it’s all about ATTENTION, rather than literal travel. That the ‘wild’ is as much within as without. I cringe a bit writing that, but what the hell, it’s what I’m experiencing as true.

‘To pay attention, this is our endless and proper work.’ -Mary Oliver


I would gratefully receive any book suggestions around any of the above stuff. I feel like I need to devour another few hundred books to get to the bottom of my thinking around this stuff, and it all feeds the creative fire!

(If you got to the bottom of this, you are a trooper and I thank you over a million times for your attention.)


a new artwork, some poems popping up & The Unspeakable Secrets of the Aro Valley.

Most of my residency money went on dull, quotidian things (living!) but I did want to buy a small piece of art as a momento of the experience. Excuse the truly awful photograph – it’s hard to photograph shiny glass, but here is what I chose. (Trust me, it looks much lovelier in real life.) It’s by English artist Valerie McConachy and I got it from a great local shop called Urban Charm.


I liked the mix of splashy, loose paint at the bottom (and the colours) coupled with the wit and nostalgia of the print. Also, I think it works as a visual metaphor for writing. The tiny man trying to plant the huge, beautiful but ungainly flower…

In other news, Tim Jones chose my poem ‘Oh Dirty River’ for the Tuesday poem a couple of weeks back. READ IT HERE. I got some really interesting comments on the poem. It seems to have struck a chord with people who grew up in similar semi-rural towns to me.

Megan Young gave my poem Garlic Planting Time another outing on her lovely poetry and photography blog, Stretching Light. READ IT HERE. 

& I wrote a review of Danyl MacLachlan’s ‘The Unspeakable Secrets of the Aro Valley’ for Swampthing Magazine’s new Friday Book Club. READ IT HERE – it’s the second review in, click the arrow at the bottom right.

I’m currently reviewing a happy heap of other books for Swampthing which will appear over the coming weeks, too. I do love book reviewing. If anyone wants books reviewed for their print or online publication, do get in touch! (However, I have enough voluntary reviewing work and am currently after paid opportunities only.)

If you would like to hear my writing news in a more timely fashion via Facebook, I have a writer page HERE. (You don’t have to be my FB friend to follow it.)

Have a lovely day!

same same, but different

The residency is over. I’m all moved out of the flat and I handed the keys back in. I’ve been feeling a little flat this week – since I found out I got the residency last November, it was the thing I was looking forward to about this year….then suddenly I was there and doing it, and it has been so wonderful, rich, busy, a true gift! Then just as quickly, it’s all done.

Here is the first photograph I took of the All Saint’s steeple I could see from the flat window:


I started taking a photograph of the steeple, not every time I went to the flat, but many times. Same view, different day. Same steeple, different sky.

I got married in that church, so I have a special affection for it. It’s now obsolete because of earthquake risk. I hope it doesn’t get knocked down.


Apart from the writing time (which was amazing) here are some things about the residency:

I loved having a cave up in the sky to hide in. It was like a retreat in many ways. (Admittedly a 9.30-2.30 retreat, with parenting and housework at both ends…but that’s the closest to a retreat I’m likely to get at this stage in my life, so I ain’t complainin’.)


I re-learned focus, and pro-longed attention, and diligence. After a decade of snatching writing time around work and children, it was incredible to have the gift of TIME. It took me about three weeks to sink into it, at first I had major ants-in-my-pants after the first few hours each day…but boy, am I used to it now.


I read 27 challenging, brain-stretching books, from Thoreau to Dillard to Liberty Hyde Bailey to Terry Tempest Williams….


I stayed off the internet during the days. It was peaceful. It was spacious. I sank into the quiet.


I ate a lot of toast and drank a lot of tea.


I enjoyed reading and thinking nearly as much as writing. I was happy to discover how much…that if I never publish another book, I don’t really mind. I’ll always have reading and thinking! I like my brain!


I really like my own company. I always suspected I did, but I haven’t had the space since I had kids to confirm it.


I listened to student radio and discovered lots of new (to me) music.


I thought I was going to write about the end of the world but instead I wrote about the beginning of a new one.

Pigeons roost in the steeple. They fly in late morning and out late afternoon.


I think that’s all I have to say…

This week after moving out of the flat I’ve been working in the public library which is:

a) noisier

b) much warmer

c) full of people with snotty noses and hacking coughs

d) not as good as the flat

e) perfectly fine

I don’t know what the point of this post is. Except I wanted to share some of my steeple photographs, and to mark the end of the residency somehow.

I had a cuppa and an almond croissant with a dear friend to ‘celebrate’ (?) The End and she gave me celery seedlings and chocolate and lent me a lovely book and…life romps on.

Thank you, All Saints steeple for being my companion through all of the weather this winter.  I will miss you! x



what you hold on to

On Sunday the sun came out after two days of heavy rain. Various plants were doing a beautiful job of holding water on their surface…jewel-like, shining in the sun.




I have just two weeks to go of the residency! It’s gone SO FAST. BACK HERE I said I was going to write about it here on the blog. Well, looks like I didn’t. I’ve been too busy in it, living it, doing it to reflect on it much. You can take it as a good sign that I didn’t write about it much – all the writing was happening within the residency! It’s been so rich and rewarding and I’ve gotten lots of work done. It’s been a real gift and I feel so lucky!


There are various duties I have to do in my last couple of weeks as artist-in-residence, so I can see the last fortnight is going to romp by. The time of it being deep, contemplative, solo and quiet is over. Consequently, I’ve been a bit sad about that this week…ah well, time passes. Fact of life.

I hope to hold on to the routine I’ve established during the residency going, which is: drop M at school, nice brisk walk, make tea, write write write….and while I won’t be able to justify spending whole days at it post-residency, my aim is to do two hours each day in the morning. I don’t want to lose the momentum I’ve achieved!


As part of my residency, I’m running a workshop soon – there are still five places if you’d like to come…. (it’s in Palmerston North, of course) Poster below. Maybe see you there…




a portrait of the (visiting) artist as a middle-aged woman

Actually this is mainly photos of the Massey Visiting Artist apartment where I am working during the day, for the curious. (I am always super-nosey about where people work and what residencies are like, so I’m sharing this stuff for those that share my curiousity…) I really enjoyed Sarah Laing’s comics about her residency in 2010. I think perhaps something common to residencies, is that they are cold. The apartment is FREEZING. Thank goodness for tea – the instant hand-warmer.

Here is the view from the living room – I can see the steeple of All Saint’s Church from the sofa where I sit to work.


And out of the bathroom window I can see the steeple again, reflected in a big blue skyscraper.


There is hideous stained green nylon carpet in the living area and fantastic black and white lino in the kitchen which reminds me of mountain topography…

va_1 va_2

If I’m looking down, I should look up, too… the ceiling is classic 70s pegboard…


Teacups on the kitchen shelf…I wonder which visiting artist contributed these? Johanna Aitchison? Vivienne Plumb? Jennifer Compton?


The flat’s only reading material…


I put some things on the wall to gaze at when I’m thinking…


Here is the coffee table I am using as a desk….


Here’s what I got out from the Massey Library this week. So many yummy books!


Here is where I sit to read and write….usually covered in blankets because of the cold.


Wonderfully retro dressing table in the bedroom I’m not using.


Inside cover of my residency notebook…


Finally, me. Still slightly in shock (and extremely grateful) that I get to come here every day and write for three whole months!  Lucky, lucky life.









a sudden break

I feel like Easter crept up this year, partly because it is actually earlier this year and also because of the drought/summer that never ends. Although it is starting to cool off a little, I’ve only worn shoes and socks twice this year – most unusual! The hot days just keep coming. But here we are, suddenly it’s Easter and we have five days off our usual routines. We are staying home and I intend to potter in the garden, read books, watch some of Mad Men, season 5, and write.


My writing has taken off over the last couple of weeks, which is a relief because I was feeling a bit barren and uninspired after the summer hols and obviously needed a good few weeks of thinking time before anything was ready to come out. Writing when there is no ‘flow’ is like trying to get lemon juice out of one of those hopeless lemons which is all dry and fibrous. I write and everything which comes out is either a) a rewrite of stuff I’ve written before b) self-pitying bullshit c) banal repetitious junk.

I don’t know if I ever mentioned it here but towards the end of last year I applied for and was accepted for the 2013 Massey University Visiting Artist programme. When you have kids, it’s pretty near impossible to uplift your whole family to move out of town for residencies, but this one is in my hometown so it works. (I am still hoping I can work out a way to do an out of town residency – homeschool the kids? But how much writing would I get done if I were in Wellington or Dunedin or Auckland homeschooling my children? Answer: not much.) I have the winter residency which starts late April and goes through until late July. The residency comes with a city apartment, which obviously I won’t move in to, but I am going to use it to write in during the day when the children are at school. I can’t wait! I can write at home just fine, but do get distracted by housework, gardening, the internet, visitors calling in….the internet, the internet, the internet. The apartment has no internet connection. Hoorah!

I had to write a proposal of what I would be working on as part of the residency application and (in short) I proposed ‘a creative response to environmental decline’. It is interesting writing down your intentions for writing, because to be honest, who really knows what will happen once you begin? Already what I imagined last November when I wrote the application is changing, but in a good way…my ideas are gathering steam and substance.

I get inspired by odd things – visual art a lot – I’m a very visual-oriented person, snippets of language I note down from disparate sources, texts seemingly unrelated directly to issues of ecology but which have a tangential, emotional link for me….gah, it’s hard to describe. But this beginning phase is very much a ‘collection’ phase. I’m reading a lot and collecting random stuff which is feeding into the writing.

Anyway, I thought I would use the blog as a place to record my experiences of the residency, just as my dear, clever friend Sarah did with her wonderful comics when she was the Frank Sargeson Fellow a couple of years back. I’m not as witty as Sarah and I can’t draw comics, but anyway, it’s as much for me as for you so forgive the indulgence of it.

My first ‘duty’ as a visiting artist is to give two talks, one in Palmerston North and one in Wellington – these happen before the residency even begins, in April. (More details about these to follow.) I get very nervous about reading/talking – despite years of teaching. You’d think I’d be used to it by now, but it’s always been something I’ve had to overcome some terrified, self-conscious part of myself to achieve.

Virginia Woolf’s ‘The Waves’ is one of the books which is really firing me up. When she started writing it she wrote in her diary: ‘I am writing to a rhythm, not to a plot’ and she was terrified at the beginning of ‘The Waves’, she had a notion of what she wished to achieve but no clear sense of how to go about it. Without wishing to suggest I am in any way similar to the literary giant of VW, that’s how I feel about what I’m doing now. At the moment it is a ‘sense’ rather than a clear plan – every day I try to find the courage to keep working through the vagueness and inscrutability to certainty and clarity, although I suspect the latter two will only come after the project is finished.